Fatima Odei's love affair with the violin started in the dark days of the war when, only six years old and sequestered at home, she began watching symphony orchestras on TV."I saw a Japanese girl playing violin and I really liked her," says Fatima, now 12 and one of the Iraqi National Symphony Orchestra's youngest trainees. It's almost…
Read in full »Performing before a half-empty room at Baghdad's Alwiyah Club, Taha Gharib is conscious that the music he has passionately played for decades -- traditional Iraqi maqam -- is dying. Victim of the country's growing modernity and years-long violence, the poetic form of music that came to symbolise the newly-born Iraq that emerged after the fall of the…
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